Published on : Saturday, January 2, 2021
The 18th edition of the Pure Talents Contest, held by imm cologne and LivingKitchen, has attracted 862 product entries from 59 countries this year. With at least 240 design schools involved, the competing newcomers represent the global creative sector’s level of achievement in the field of product and interior design.
Changing Conditions for the Pure Talents Contest Due to the Pandemic
The coronavirus pandemic confronted the Pure Talents Contest with new challenges this year – challenges which the organizers, and everyone involved with the contest, were determined to address as part of their commitment to helping the creative sector make a new start. Especially under the complicated conditions of the current competition, internationality is particularly important to the organizers. “Because of corona, we had to keep adapting the conditions of participation to the pandemic situation over the course of the year. So we’re all the more delighted about the surprisingly positive level of registrations. We’re very much aware of our responsibility towards the young creatives and are standing by the contest even in this difficult year, despite the fact that we’ve had to cancel the imm cologne 2021 in the meantime,” says imm cologne director Claire Steinbrück, underscoring the competition’s importance for the creative sector.
Normally, the 20 nominated designs (or 26 in LivingKitchen years) are staged as prototypes in a lavish exhibition during imm cologne and LivingKitchen and personally presented by the designers themselves. The cancellation of the in-person event means this special Pure Talents Contest showcase will not be held either. “Although the direct exchange between the participants themselves, as well as with visitors and the imm cologne exhibitors, can no longer take place, we’re confident that both the public and the sector will notice and encourage the young talents. The Pure Talents Contest is our way of shining a spotlight on the newcomers.”
Judging session at Koelnmesse’s HQ in October
The jury of the Pure Talents Contest met in Cologne in October to inspect a total of 862 product entries from 59 countries. This year’s judges are designer Eva Marguerre (Studio Besau-Marguerre) from Hamburg, Jennifer Reaves, CEO of international design trade show blickfang, designer Sebastian Herkner from Offenbach and Norbert Ruf, creative director and managing director of Thonet GmbH.
Held and organized by Koelnmesse, the competition is specifically aimed at designers who are either still at college or have just completed their training. As the number and internationality of the product entries for the current competition go to show, it is among the most renowned international contests for young design in its field. This time around, the young designers come from 59 countries and represent a total of 240 design schools. And with a 48%-share of male contestants, the competition achieves a well-balanced gender distribution too.
The Pure Talents Contest is a Platform for Launching Careers
The 26 nominated designs represent the product categories furniture, floor coverings, wallpapers and textiles, lighting, smart home, home accessories and kitchens. The jury was impressed by the many international entries and the creativity exhibited and, in the same breath, pointed to the fact that the already difficult circumstances young designers face when they finish training are even more challenging than usual right now. “For the young generation, being seen and expanding their network is the be-all and end-all. At this point in their careers, young designers don’t have anything to show for themselves yet,” says juror Jennifer Reaves. “This could now be a lost generation of designers because there’s currently not any opportunity for young designers to meet producers. What’s more, most companies tend to play safe and hire established designers rather than relying on young talents. That’s why it’s important for imm cologne to hold this competition, even in corona times,” says jury member Sebastian Herkner of the situation young designers are facing today.
Forward-Thinking Product Concepts by Young Creatives
The selected designs exhibit a surprisingly broad spectrum not just of functions, construction principles and materials but of different approaches too: the ideas for products for our everyday lives range from textile design to latex all the way to tubular steel, from a simple magnetic connection to ingenious hinges all the way to interactive controls. More and more, the focus is on the relationship and interaction between furniture and its users.
The two halves of the Twin lampshade series by Albane Hundevad, for instance, are simply clipped over the lamp holder as a quick and easy way to adapt the lighting mood to the situation. And the Elina lamp by Dirk Vosding, which is designed as a bookend, only reveals its true purpose at second glance: it can either be used as a table lamp or as a reading light on the shelf. “The lighting category was very impressive this year. We saw a lot of innovative and sensuous solutions,” says designer Eva Marguerre, describing an important development in young design.
Norbert Ruf, creative director and managing director of Thonet GmbH, is no less pleased: “This year, besides some very conceptual and artistic approaches, there were also a lot of designs that had already been taken further and fleshed out. That’s not to say the designs didn’t surprise us – on the contrary: we saw a great many creative and interesting ideas.” This time too, there were several chairs among the 26 nominations, including the Olivia chair by Finnish designer Tatu Laakso. His explorations of the balance between lightness, sturdiness and economics in moulded plywood resulted in a light yet sturdy structure that doesn’t compromise good ergonomics. Elie Fazel’s idea for the aluminium TLV’s Chair, which is intended for multifunctional use in the public space, came from Tel Aviv. According to the designer, who graduated from ECAL/Ecole cantonal d’art de Lausanne (CH), the residents of the bustling city use the public space as if it were their own living room.
Source: Furniture World